In December 2002, a 22-year-old Afghan taxi driver named Dilawar was picked up and delivered to the Bagram Air Force Base prison. Five days later, he was dead. Sgt. Thomas Curtis, one of the Military Police at Bagram, remembers, “There was definitely a sense of concern because he was the second one. You wonder, was it something we did?”
As detailed in Alex Gibney’s devastating documentary, Taxi to the Dark Side, Dilawar’s demise was officially termed a homicide, like the first detainee to die at Bagram, Habibullah. Captured by a warlord and handed over to the U.S. just days before Dilawar, Habibullah as deemed “an important prisoner,” hooded, shackled, and isolated, periodically beaten for “noncompliance.”
Autopsies showed that Dilawar and Habibullah suffered similar abuses, including deep bruises all over their bodies; according to the Army coroner, Dilawar suffered “massive tissue damage to his legs… his legs had been pulpified.” And yet, despite initial concerns among the guards and interrogators at Bagram over an investigation, instead, the officer in charge of interrogation at the prison, Captain Carolyn Wood, was awarded a Bronze Star for Valor and, following the Iraq invasion in 2003, she and her unit were sent to Abu Ghraib.Not least among these is the pronouncement by Dick Cheney that motivates Taxi‘s title, made during an appearance on Meet the Press during the week after 9/11. Describing imminent changes in interrogation policies, the vice president asserted,
We have to work sort of the dark side, if you will, spend time in the shadows in the intelligence world. A lot of what needs to be done here will have to be done quietly, without any discussion, using sources and methods available to our intelligence agencies, if we’re going to be successful. That’s the world these folks operate in. It’ll be vital for us to use any means at our disposal, basically, to achieve our objective.
This working of the “dark side” would be both notorious and secret,More
Three minute trailer.
Full documentary, 78 minutes.
Amy Goodman talks to filmmaker Alex Gibney. 6mins
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